1989 Disney-MGM Studios Grand Opening
The decision to make a Disney-MGM (now Disney Hollywood) Studios theme park was an odd one for the company. This 1989 television special celebrating the opening of the park is filled with similarly odd decisions.
Disney-MGM was the third Florida park, coming after EPCOT but before Animal Kingdom. Where the Magic Kingdom focused on Americana, Fantasy, Futurism, and Adventure and EPCOT focused on a more expanded Futurism and International appreciation, Disney-MGM was centered around Hollywood, moviemaking, and their acquired interests like the Muppets and their stake in Star Wars. The park beat its most direct competition, Universal Studios Orlando, to the market by a year, but the actual offering of attractions – you know, the things that people go to theme parks to enjoy – were a bit iffy.
Like Universal, the intent of the MGM studio was to be an actual production lot. Florida was rising as a destination for film and television production in the late ’80s and early ’90s, and Central Florida was leading the cyarge. It didn’t work out so well for Universal, and only worked out slightly better for Disney-MGM; large, loud, open-air parks don’t lend themselves well to delicate filming. The production aspect of both parks was ultimately shuttered, with the exception of a few television studios that held out for another decade or so. This special is dripping with the optimism of the promise of that idea, though.
The special opens with a big production number led by Smokey Robinson, some fancy special effects, and a whole bunch of iconic movie characters in an elaborate dance number.
John Ritter hosts the special, for lack of a better word, as a director who has just learned that the park opens in two hours (gulp!). To get an idea of how he reacts to this news, watch any episode of Three’s Company, ever. Copy and paste this gag about twenty times throughout the special, as he clumsily pulls everything together for the grand opening, just happening to show off all of the park’s features along the way.
He stumbles across a ton of celebrities in the process. There are bits, songs, or pre-recorded well-wishes from Harry Anderson, George Burns, Jane Fonda, Rue Maclanahan, Willie Nelson, John Ritter, Smokey Robinson, Dick van Dyke, the Pointer Sisters, and tons more.
Harry Anderson shows off the magic of blue screen technology and other special effects, complete with a bag full of “bee” puns and dad jokes.
President Reagan’s a natural fit for a well-wish to the new park, given his Hollywood background. Thatcher, though?
Dick van Dyke and the Creel triplets show off some of the actual attractions of the park, like the flagship Great Movie Ride, in an impressive attempt to chew up some runtime.
The highlight of this special is, without a doubt, the music. In addition to the aforementioned Smokey Robinson number, the Pointer Sisters kill it, Buster Poindexter’s got a big number (right?) and Suzanne Somers even pulls of an amazing, yet confusing, version of “Rhythm of the Night”.
Two hours, about twenty celebrity well-wishes, a dozen physical gags, and six musical numbers later the park is officially open. A replica of old-timey and modern Hollywood in Central Florida. Was anyone asking for this? It’s difficult to get an accurate gauge of the actual appeal of this theme of a park. Growing up in Central Florida at the time, I know that the local reception was lukewarm. Star Tours was the main draw, and it was a great one, but one swallow does not make a Summer. I did meet Kid ‘n Play at the park one night as part of the 1992 NBA All Star Weekend, so there’s that.
Here’s the special. Make sure to watch the commercials and promos – that spot for the Bionic Woman/Six-Million-Dollar Man crossover looks flat out bananas.
1969 IHOP Commercial
I can’t imagine the conversation that led to the approval of this voice singing this song in this commercial. And the food just looks awful! Outside of that, though, gorgeous commercial.
Before we had computers that could do multiple tasks and take up a reasonable amount of space, we had unitasker machines like word processors. Not going to lie, I get so easily distracted that I kind of miss those days.. This print ad for MicroPro word processors has a clean look to it that makes me miss word processors even more.
Grins & Smiles & Giggles & Laughs
It’s interesting to see how fierce the cereal war was in the 1970s and 1980s. There are so many flashes in the pan, so many unnecessary variations on successful formulas, and so many tacky TV Show/Movie tie-ins on the playing field during this time. Case in point: 1976’s Grins & Smiles & Giggles & Laughs, a weird smiley-face cereal featuring five mascots – the aforementioned Grins, Smiles, Giggles, Laughs, and a grumpy robot named Cecil that produces the cereal if something makes him laugh.
It didn’t last long.
Lynda Carter’s Rock & Roll Fantasy
Where was Lynda Carter when Michael Eisner was casting for the Disney-MGM opening ceremony? This is such a delightful cringe.