Here’s Parker Brothers’ 1982 announcement of their entry into the videogame market. You can tell they’re proud of their Star Wars license, and they should be! Their Empire Strikes Back game was really solid. But outside of four minutes spent on Star Wars and one minute spent on…Frogger… there’s not much else here to announce.
It’s interesting that the video makes the case that the videogame market has “barely been scratched”. In 1982. A year before the massive videogame crash in North America in 1983. Still, you’ve got to appreciate the confidence. And they came out with some good stuff!
This 1960s training film on the merits of good checkout procedure places an awful lot of responsibility for the store’s performance on what happens in the checkout lane. Indeed, they are “The Front Line” in the grocery war. Seriously, they just casually call it a war.
I’m not going to spend time romanticizing the actual advice given in this film; it boils down to ‘make the right amount of change’, ‘don’t get tricked by crooks’, and ‘sell stuff at the right price.” The way they give the advice, though, is great: the hair and fashion are top-notch for the era, and the large green “test room” has an awesome visual aesthetic.
The real star of the film, though, is the reality of the 1960s grocery store and the golden crossroad of an almost clinically clean store design filled with beautifully packaged processed foods.
It’s worth “checking out”. Get it? Sorry. Here it is.
Cadbury’s Smash Commercial
Speaking of war, this 1970s spot for Cadbury’s mashed potatoes is nothing less than a declaration of it from those smug Martians.
Cosmography & Astrology
This beautifully confounding print from 1686 demonstrates the various applications of Cosmography and Astrology.
King Vitaman Commercial
I don’t know who these people thought they were fooling. This is a cereal made of styrofoam that nobody would enjoy.
The decision to make a Disney-MGM (now Disney Hollywood) Studios theme park was an odd one for the company. This 1989 television special celebrating the opening of the park is filled with similarly odd decisions.
Disney-MGM was the third Florida park, coming after EPCOT but before Animal Kingdom. Where the Magic Kingdom focused on Americana, Fantasy, Futurism, and Adventure and EPCOT focused on a more expanded Futurism and International appreciation, Disney-MGM was centered around Hollywood, moviemaking, and their acquired interests like the Muppets and their stake in Star Wars. The park beat its most direct competition, Universal Studios Orlando, to the market by a year, but the actual offering of attractions – you know, the things that people go to theme parks to enjoy – were a bit iffy.
Like Universal, the intent of the MGM studio was to be an actual production lot. Florida was rising as a destination for film and television production in the late ’80s and early ’90s, and Central Florida was leading the cyarge. It didn’t work out so well for Universal, and only worked out slightly better for Disney-MGM; large, loud, open-air parks don’t lend themselves well to delicate filming. The production aspect of both parks was ultimately shuttered, with the exception of a few television studios that held out for another decade or so. This special is dripping with the optimism of the promise of that idea, though.
The special opens with a big production number led by Smokey Robinson, some fancy special effects, and a whole bunch of iconic movie characters in an elaborate dance number.
John Ritter hosts the special, for lack of a better word, as a director who has just learned that the park opens in two hours (gulp!). To get an idea of how he reacts to this news, watch any episode of Three’s Company, ever. Copy and paste this gag about twenty times throughout the special, as he clumsily pulls everything together for the grand opening, just happening to show off all of the park’s features along the way.
He stumbles across a ton of celebrities in the process. There are bits, songs, or pre-recorded well-wishes from Harry Anderson, George Burns, Jane Fonda, Rue Maclanahan, Willie Nelson, John Ritter, Smokey Robinson, Dick van Dyke, the Pointer Sisters, and tons more.
Harry Anderson shows off the magic of blue screen technology and other special effects, complete with a bag full of “bee” puns and dad jokes.
President Reagan’s a natural fit for a well-wish to the new park, given his Hollywood background. Thatcher, though?
Dick van Dyke and the Creel triplets show off some of the actual attractions of the park, like the flagship Great Movie Ride, in an impressive attempt to chew up some runtime.
The highlight of this special is, without a doubt, the music. In addition to the aforementioned Smokey Robinson number, the Pointer Sisters kill it, Buster Poindexter’s got a big number (right?) and Suzanne Somers even pulls of an amazing, yet confusing, version of “Rhythm of the Night”.
Two hours, about twenty celebrity well-wishes, a dozen physical gags, and six musical numbers later the park is officially open. A replica of old-timey and modern Hollywood in Central Florida. Was anyone asking for this? It’s difficult to get an accurate gauge of the actual appeal of this theme of a park. Growing up in Central Florida at the time, I know that the local reception was lukewarm. Star Tours was the main draw, and it was a great one, but one swallow does not make a Summer. I did meet Kid ‘n Play at the park one night as part of the 1992 NBA All Star Weekend, so there’s that.
Here’s the special. Make sure to watch the commercials and promos – that spot for the Bionic Woman/Six-Million-Dollar Man crossover looks flat out bananas.
1969 IHOP Commercial
I can’t imagine the conversation that led to the approval of this voice singing this song in this commercial. And the food just looks awful! Outside of that, though, gorgeous commercial.
Before we had computers that could do multiple tasks and take up a reasonable amount of space, we had unitasker machines like word processors. Not going to lie, I get so easily distracted that I kind of miss those days.. This print ad for MicroPro word processors has a clean look to it that makes me miss word processors even more.
Grins & Smiles & Giggles & Laughs
It’s interesting to see how fierce the cereal war was in the 1970s and 1980s. There are so many flashes in the pan, so many unnecessary variations on successful formulas, and so many tacky TV Show/Movie tie-ins on the playing field during this time. Case in point: 1976’s Grins & Smiles & Giggles & Laughs, a weird smiley-face cereal featuring five mascots – the aforementioned Grins, Smiles, Giggles, Laughs, and a grumpy robot named Cecil that produces the cereal if something makes him laugh.
It didn’t last long.
Lynda Carter’s Rock & Roll Fantasy
Where was Lynda Carter when Michael Eisner was casting for the Disney-MGM opening ceremony? This is such a delightful cringe.
It’s always weird when Nintendo tries to be cool. Cool just isn’t their thing. This 1995 infomercial for the Super Nintendo is a perfect example of my point; it sets out to showcase the system’s lineup in an edgy, gritty way and it comes off looking like when the chaperones try to dance with the students..
Bush video, or Korn video?
A man in a video screen sends his dark agents to gather intel on the latest Nintendo games. There’s an air of malice to the effort, but each outing quickly turns comical; there’s little edginess to be found in Yoshi’s Island, and even less in Donkey Kong Country. The agents seem committed to torture in order to get the info they need, but the ‘torture’ ends up to be mild aggression and, in one case, just plain money.
There would have been good value in watching this as a kid in the mid-90s. There weren’t many chances to get a look at footage of games that weren’t out yet, and Killer Instinct is a pretty extreme title for Nintendo. Even though Super Mario RPG wouldn’t come out until the N64, it’s pretty exciting to see it here.
And speaking of N64, the video ends with the ultimate intel: a first glimpse at the new console from a Japanese convention. There’s not a lot to it, but what’s there is cool.
So yeah, a mixed bag. The tone isn’t really congruent with the Nintendo we knew then or know now, but it was the ’90s and everyone was trying this sort of thing on. Here’s the video:
1940s Catholic Truth Society Covers
Vintage Irish Book Cover enthusiast Hitone’s got some book covers from the Catholic Truth Society that are nothing short of breathtaking. Here are a few of my favorites – hit their site for the rest.
This “Giant Moon Robut” is flat-out terrifying. Just $9.99 in 1960s money!
I’d like to live in this 1910 poster for a French Race sponsor.
Finally, this 1970 commercial for an adhesive glue that almost certainly gave anyone who touched it some sort of disease.
Leonard Nimoy lends his credibility to this alarmist video produced to aid those concerned with the potential societal collapse caused by the world’s computers’ refusal to acknowledge the year 2000.
This video is one of several attempts to cash in on the hysteria around the Y2K phenomenon. 1999 was the perfect breeding ground for such a scam – nobody could say for sure that the Y2K alarmists were wrong, and nobody wanted to look like a fool. The President even appointed a Y2K Czar! And the Y2K Czar appeared in this video! What an honor!
While the content of the video is assuredly alarmist, and we’re reminded throughout that many people are probably going to die, the tone never rises above a typical infomercial level. It’s not a frantic or panicked video, which makes it play pretty creepily.
It’s sort of an impressive effort that this video is an hour long – it’s really about 4 minutes of information repeated over and over again in different ways. When the video feels like it needs a break from that, there are instances of what seems to be free-form musing on specific catastrophes that could occur.
There’s a lot of specific advice, too. Helpful nuggets, like “Don’t buy a machine gun and run to the woods.” We’re also encouraged to “enjoy the family time” when our systems fail us. I can only imagine the satisfaction that those who paid actual money for this VHS tape must feel. The video takes on a very nuclear-scare-era tone when advising preparedness: store fresh water all over your house, in any dark place, toilet safety in a world without plumbing, stock up on baby wipes to bathe with. From here, it’s essentially a survivalist video – which makes for a good thirty minutes more content. While the video stresses the importance of community, there’s an underlying addition of “but make sure you get yours first”, which is pretty ugly once you notice it.
Here it is. Alarmist and cheesy, and a little bit alarming that so much time was spent on this. And that it probably made money.
French Mega Man 2 Commercial
There’s so much to love about this commercial for Mega Man 2 – from the newscaster Mario to the overacting live-action Mega Man to the shrouded, overacting Dr. Wily. Perfection.