Bill & Ted was the franchise that kept on giving; it spawned not only a theatrical sequel but a pretty good computer game, a mediocre NES game, a short-lived live action series, and a cartoon which then spun off its own cereal.
It’s Lucky Charms, but with musical notes as the marshmallows. And cinnamon. That sounds pretty great, right? Well, if you believe Wikipedia (WHO WOULDN’T), the box and potentially the cereal itself were stolen from an art student’s final project in 1990. Is that true, or was some college kid looking to cash in on a hundred-dollar idea? Who knows!
Here’s Arsenio Hall and Alex Winter discussing the cereal in 1991 on The Arsenio Hall Show. 1:45 in.
This 1960s training film on the merits of good checkout procedure places an awful lot of responsibility for the store’s performance on what happens in the checkout lane. Indeed, they are “The Front Line” in the grocery war. Seriously, they just casually call it a war.
I’m not going to spend time romanticizing the actual advice given in this film; it boils down to ‘make the right amount of change’, ‘don’t get tricked by crooks’, and ‘sell stuff at the right price.” The way they give the advice, though, is great: the hair and fashion are top-notch for the era, and the large green “test room” has an awesome visual aesthetic.
The real star of the film, though, is the reality of the 1960s grocery store and the golden crossroad of an almost clinically clean store design filled with beautifully packaged processed foods.
It’s worth “checking out”. Get it? Sorry. Here it is.
Cadbury’s Smash Commercial
Speaking of war, this 1970s spot for Cadbury’s mashed potatoes is nothing less than a declaration of it from those smug Martians.
Cosmography & Astrology
This beautifully confounding print from 1686 demonstrates the various applications of Cosmography and Astrology.
King Vitaman Commercial
I don’t know who these people thought they were fooling. This is a cereal made of styrofoam that nobody would enjoy.
This 1989 NBC show features a married couple who die in an accident, yet their ghosts live on in their house and they have to live with/around the living family that moved into their house after they died and only one member of the family can see them and it’s not Beetlejuice and somehow they still got away with it.
In the spirit of fairness, there are a few adjustments to the formula. Ghost Husband Grant (played by Eric Idle) was a professor in life, and his hoity-toity ways conflict with Living Husband Mike who’s an unrefined plumber.
The person who can see the ghost family is not the youngest member of the family (Derek, the super cool teenage babe-hound) but the oldest – curmudgeonly Grandpa Jack.
Jack hates Living Husband Mike, too, so he and Grant have some common ground. Also the Ghost couple can apparently leave the house without being devoured by sandworms.
Nearly Departed lasted all of four episodes before being cancelled. Two went unaired. Perhaps it was the too-obvious Beetlejuice draft, but I doubt it. It also directly claimed inspiration from the 1937 Cary Grant film Topper, so there’s at least some admission of its derivative nature. Instead, I think it’s that it just wasn’t very good. Eric Idle’s fine in it, and there are some good bits, but it’s just not very unique in any aspect. The plot lines are typical sitcom tropes and the premise doesn’t do anything to elevate the stories.
Also, why would this family have a bed that fit four people and cram into one side of it if they weren’t aware that there was a ghost family next to them? And why would Mike hug Grant and find something tangible at all?
Here’s an episode where Grandpa is tasked with babysitting babe-hound Derek, but instead goes off to play poker and leaves the ghosts in charge… hilarity!
This 1979 PSA instructs kids how to make a quick breakfast – a “quick fast”, if you will. I’m on board with the idea, but toast with cheese AND peanut butter? That’s weird, right?
Also, where does that bowling part fit in to all of this?
Pink Panther Flakes (1971)
I’ll take a piece of toast with cheese and peanut butter over whatever this garbage is supposed to be. It’s pretty bad when the commercial won’t even show you the cereal.
The vocal on the verse is pretty amazing, though.
Silent Running Trailer
They don’t make trailers like this any more. There’s something charming about the combination of the uneventful font, the deadpan narration, the blatant ‘this is what the movie is’ nature of the clips and the progression of the trailer’s narrative, and the circus-ringleader copy playing up the robots and Joan Baez.
MST3k Season 2 Promos
In honor of the recent release of Mystery Science Theater 3000 season 11(!) on Netflix, here are some promos announcing season 2. It’s pretty neat to see the promos reference TV’s Frank as the “new villain”. It’s also neat to see some of the Comedy Channel’s look and feel.
It’s 1982. Pac Man’s a pretty big deal. So big that they didn’t just make a Pac-Man cartoon, NBC centered its 1982 Saturday Morning Preview Special around it.
Pac-Man is the carrot that Dick Clark dangles for forty five minutes through this awful special, held on the set of American Bandstand. Like the free movie tickets that come at the end of a Timeshare presentation, you have to through clip after clip of unoriginal, derivative cartoons based on existing properties. When you’re not doing that, you’re watching Dick Clark have a hamfisted time around some children. Seriously – he doesn’t know what to do with these kids. Not 90 seconds into the special, Clark is admonishing a child for talking when he’s talking. On mic. To the camera.
The special tries to be interesting – ventriloquist Willie Taylor does a solid three minute set.
Scooby and Scrappy-Doo costumed characters show up for a clunky appearance.
Henry Winkler and Frank Welker do a table read of a scene from the Laverne and Shirley cartoon. Kids love seeing voice actors!
After a ten-minute long “clip” of The Lil’ Rascals cartoon we finally get about a forty-five minute preview of Pac-Man! Then we’re sent out of the special with a rockin’ dance party.
Seriously, there’s so little effort here. Give me a sloppy narrative or a musical act or some actual star power! At the very least, I guess it’s heartening to see a studio full of disappointed kids make the best of things. Here’s the special.
Ward’s 1971 Microwave Oven
Love that dinosaur puppet! The flaming arrow into the conestoga, not so much…
FIVE HUNDRED DOLLARS.
Watch a cowboy with dementia peddle a cereal based on stale waffles to a couple of overacting kids!
The Long Walk Artwork
“The Long Walk” is one of my favorite short stories by Stephen King. This promotional artwork really catches the story, from the illustration to the red background to the font choice. Beautiful.
Guys, I don’t think this conversation actually happened, but I love the layout of this ad.
Tom Hanks’ first movie role wasn’t a comedy, like you’d think. It was barely a drama. His movie debut took form in the role of Human Robbie/Cleric Pardieu in the 1982 TV Movie Dungeons & Dragons Scare-Film called Mazes and Monsters, a movie based on a hastily written book loosely based on inaccurate facts about the disappearance of a teenager who was interested in D&D.
The movie starts out with a flash-forward to a crime scene – someone’s in trouble and we don’t know who. We’re told that the incident involved a role-playing game called Mazes and Monsters and not much more.
Flashing back to the true start of the movie, we’re introduced to a bunch of priveleged kids who attend school together. There’s JJ, the eccentric party boy who wears a rotating lineup of goofy hats.
Then there’s Kate, the beautiful collegiate who is way-too-fashionable to be a Dungeons and Dragons fan in the 1980s.
Boring Daniel wants to be a videogame designer, but doesn’t have his parents support.
And finally Robbie, played by Tom Hanks. Kicked out of one school as a result of his obsession with Mazes and Monsters, he transfers to the school that JJ, Kate, and Daniel attend with the promise that he won’t play again.
That promise lasts about five minutes, as Robbie falls in with the gang and the foursome become best friends over sessions of Mazes and Monsters. Turns out Robbie’s got a pretty rad character from his obsessive other-college campaign.
Robbie and Kate become an item. Robbie confides to Kate that his little brother ran away when he was younger and he hasn’t seen him since, a strange thing to bring up. JJ gets isolated from the group due to their relationship, and plans his suicide in a nearby cavern. He then quickly changes his mind on this plan, for some reason, and decides to create a Mazes and Monsters campaign in the caverns for his friends to enjoy instead.
The group goes out for their first session in the cavern and have a pretty good time. Robbie, however, has an episode where fiction and reality become blurred, and a switch ‘flips’ inside of him. He sees an actual monster, and fights it.
From that point on Robbie more or less becomes his character, the healer Pardieu. He abruptly breaks off his relationship with Kate, has dreams of his missing younger brother, designs elaborate maps referencing “The Two Towers” and “The Great Hall”, and eventually disappears completely.
While the gang tries to find details of his whereabouts, the police get involved as well. The police learn that Robbie had a history with Mazes and Monsters, and the gang hides their involvement so as not to be implicated. The police somehow learn of the cavern campaign, and a detective poses to Daniel the theory that one of Robbie’s fellow gamers killed him in the cavern.
Daniel says, “That’s pretty far out.”
The detective replies, “Mazes and Monsters is a far out game.”
The gang realizes that Robbie’s mentions of “The Great Hall” are referring not to a place but to his missing brother who was also named Hall. We see Robbie in New York City, still in character, looking for The Great Hall. He’s chased by some local toughs and ends up in an alleyway. Reality and Fiction fall on top of each other and he accidentally kills one of them.
He calls Kate in a panic, who tells him to head to JJ’s family’s house in the City to wait for them. Robbie doesn’t follow this advice and continues to amble around. The friends arrive in New York and quickly realize that “The Two Towers” refers to the World Trade Center, and that Robbie is heading there to jump off and join his brother, “The Great Hall”.
They all run into each other on the roof of the World Trade Center and, in character, talk Robbie down. JJ uses his authority as dungeon master to convince Robbie that this is a game, and Robbie snaps back to reality. And gives the first of what will be many classic Tom Hanks sad faces.
Epilogue: three months later. Kate is basically writing Mazes and Monsters: the book of the TV Movie. The gang visits Robbie at his family’s house, where he is taking time off of school to get his head straight. They meet him in the backyard and prepare for a special reunion….only to learn that Robbie is still trapped in his character. They play the game one last time.
This whole movie seems like it was written by somebody who read the sensationalist headlines of the day regarding the dangers of Dungeons and Dragons and not much more. It’s an interesting interpretation of the form that someone’s concerns about losing a child to D&D might have taken in the 1980s. It’s also interesting because, despite the hokey story, Tom Hanks is actually pretty good in this. He makes it worth watching.
Roll for initiative and see for yourself.
SEGA Game Gear Commercials
How do you sell your superior handheld device if you’re not Nintendo? Throw a bunch of jabs at Nintendo! These ’90s SEGA Game Gear commercials are quick to push their full color and game library, but don’t necessarily bring up their four-minute battery life.
An alien race called the Moonbeams are mining moonstones from our Moon. The Moonbums are trying to steal the recipe for the moonstones. Do you need recipes for things that are mined? This is a really complicated cereal.
Watch Out For The Munchies
I could use this ’80s anti-snacking PSA’s reminders on a half-hourly basis.